













Fiction for Adults
A
Space Apart
To order online, click A Space Apart.
New
Edition from the Authors' Guild Back In Print Editions
Meredith Sue Willis's first
novel, just reprinted as part of the Authors' Guild Back-in-Print
series, was first published in 1979 by Charles Scribner's Sons.Says
Willis of the novel, "The most remarkable thing to me when I
reread this novel is how little awareness I had at the time of any
cultural or historical background to West Virginia and the Appalachian
region. The novel is emotionally and artistically sophisticated, but
it is undergirded with a conviction that time had stopped in West
Virginia: I wrote primarily of the years just before I was born and
in my early childhood [nineteen fifty to ninety sixty, say]. For all
young children, of course, there is no history: there is now and there
is the Age of Giants, when there were your people before you. The
situation in this novel is stripped down to a small town as an isolated
and ultimate place. Even though I had been living in New York for
a number of years at the time I wrote it, and even though I had participated
in some of the political events of the late sixties and early seventies,
working against war, for people abandoned to poverty, my West Virginia
was captured in a crystal ball, in a snow crystal. It was a place
where the most important building was a church, the most important
social relations between those who lived more or less genteelly in
town and those who had once lived without indoor plumbing in the outlying
mining camps.
"What I specifically was thinking about thematically (as opposed
to feeling) as I wrote it, was moral and social strictures and transgressing
them. I wrote in a journal enty in late April, 1974, when I was still
calling the book Soap Opera, that 'Soap Opera of course
is about a small town of the mind, Galatia, but perhaps I can work
through, get out all my feelings about the rigidness, the laws: community
imposed, family imposed, self-imposed. All the Galatians know the
laws so very well.... They do not really know how to seek out freedom.
I am thinking of naming the novel The Galatians. I just read
Paul's Epistle to the Galatians. Its theme is faith over law, new
freedom in love over old law; also backsliding of those who have seen
the revealed truth into demand for circumcision & other legalistic
manifestations of grace.'"
First novelist Willis shapes her story
with exquisite care, detailing the lives of a West Virginia preacher's
family: John Scarlin, minister and son of "the Preacher," a wild old
born-again Baptist; John's sturdy sister Mary Katherine; his capricious
wife Vera, a strong character who commands attention in one fine scene
after another; and his daughters Lee and Tonie who grow up to reject
and embrace the meaning of Galatia, their hometown. In a novel of character
more than event, these five people reveal themselves in chapters which
progress in time, alternate in point of view. Finally what is revealed
is a family, inextricably bound together while struggling with each
other's need to find "a place apart." Narratively skilled and disciplined,
this is an impressive debut.
— Library Journal
A Space Apart is so deftly and subtly
written, I hardly noticed how involved I'd become until I'd read the
last page and turned it, wanting more. The Scarlin family is going to
be with me for a very long time.
—
Anne Tyler
Willis fleshes out with warmth and tenderness
the omplexities of family love, which not only defines commitment but deepens the need. An important new talent.
— The Kirkus Reviews
Ms. Willis writes with wisdom and with
warmth, weaving a web of subtle suspense and poetic perception. And
when she is finished, she has left the reader contentedly fulfilled–
yet longing for more.
—The Philadelphia Bulletin
This is the story of a broken family trying
to mend itself through three generations. It is a painful but essential
process, and like all such repair jobs, it is only partly successful.
Before it is over we come to know John and Vera and Mary Kay, as well
as Vera's daughters, Lee and Tonie— to understand the wars they must
declare and the peaces that they are able to proclaim within the state
of being Scarlins
– The Philadelphia Inquirer
Willis views the Scarlin family ties and
loyalties, limits and tensions, with realism, sensitivity and precision.
A noteworthy first novel.
—Publisher's Weekly
The narrative carries warmth and strength. The people are as real as your next door neighbors.
—Houston Chronicle
For readers who have enjoyed Anne Tyler's
novels or Frederick Busch short stories, the arrival of Meredith Sue
Willis will be cause to celebrate. She has written with depth and honesty
about a life style available to many of us only through books.
– The Los Angeles Times
To order online, click A Space Apart.
To order by mail,
click on Order
The Blair
Morgan Trilogy
The
three novels of the Blair Morgan Trilogy follow Blair Ellen Morgan
through the nineteen sixties, from a small mining town in north-central
West Virginia to anti-poverty work in Tidewater Virginia to anti-Vietnam
War protests in New York City. Higher Ground and Only
Great Changes were originally published in hardcover by Scribner's
in 1981 and 1985. The complete complete trilogy, including
the final volume, Trespassers, is now available in paperback
from Hamilton Stone Editions.
...The story of Blair Ellen Morgan,
the daughter of teachers in rural West Virginia, who grows up to experience
all the turbulence at the heart of the 1960's.
— Claudia Ebeling in Bucknell World
Miss Willis sustains a reader's attention...throughout
the trilogy by being a master of what might be called thumbnail episodes.
Every significant encounter between consorts, friends, parents, neighbors
has a setting and a beginning, middle, and end. The effect is the
feeling of being eased along story to story through a narrative where
the meaning of each episode will be revealed. Even the most disturbing
episodes have some measure of grace, and this comes because of Miss
Willis' steady, assured narrative style.
— Carol Herman in The Washington Times
Higher Ground and Only Great
Changes deeply moved me and convinced me of three very important
things. One, it is possible for a writer to join a social vision with
a creative vision. Two, it is possible to think and write of Appalachia
in new and empowering ways without resorting to stereotypes. And three,
well-crafted, stylistically sophisticated fiction can do positive
political work. The political and social relevancy of these two novels
rests in Willis' representation of Blair Ellen Morgan's coming of
age over the approximately twenty years from the late 1950's to 1974.
— Tal Stanley, "Making That New Place: Blair Morgan's Coming of Age
and Meredith Sue Willis' Social Vision," The Iron Mountain Review,
Volume XII
For
Ordering information, see individual books below.
Higher
Ground

Higher Ground was first published by Charles Scribner's Sons in 1981. This was Meredith Sue Willis's second book, and it began the Blair Morgan trilogy, which examines small town life and social movements of the 1960's through the lens of Blair Ellen Morgan's coming-of-age. Out of print for many years, it was republished in 1996 by Hamilton Stone Editions and remains in print.
Willis's breathtakingly subtle soundings
of homes and small towns (where everything happens and nothing happens)
reaffirm her as a writer of real consequence.
— Kirkus Reviews
The adolescence of Blair Ellen Morgan,
who attends the high school where her parents teach, is richly realized
in the complexities of relationships begun when she was 11, with the
slatternly Odells, hill-country people who were her aunt's neighbors.
Blair is a delight of paradoxes in her quest for "my special friends
who mean exactly what I want them to mean...." Higher Ground is heartwarming, funny and sad, quite delightful reading.
-- Publisher's Weekly
A look at the secret feelings
of a growing girl. These feelings might be shared with a best friend,
if you had one you trusted completely.
-- Houston Chronicle
Meredith Sue Willis...writes with
tenderness and ease of the trials of adolescence. With an eye for
detail and an ear for dialogue, she has produced a vivid account of
growing up in a small town in the late fifties and early sixties.
Though the time, place, and personalities are specific, the thoughts
and emotions are universal.
-- Columbia Magazine
To order from Amazon.com,
click on Higher
Ground
To order by mail,
click on Order
Only Great Changes

Only Great Changes was first published by Charles Scribner's Sons to considerable critical acclaim in 1985. This middle book of the Blair Morgan trilogy takes Blair out of West Virginia to do anti-poverty work as a VISTA volunteer in urban Tidewater, Virginia. Out of print for many years, it was republished in 1997 by Hamilton Stone Editions and remains in print.
Willis makes a familiar story fresh
and engaging with her wise perceptions and unusual language.
-- San Francisco Chronicle
Willis again picks meaningfully at
the charge-laden fences between peoples, castes, and individual needs
-- Kirkus Reviews
Authors....pretend to write about all of life, but mostly they opt for the excitement. It takes
talent, observation, and a particular caring to bring the average
person's experience to life in a book. Willis does it here, making
gold out of common materials. There are indications that she is not
done with Blair Ellen yet, and I can't wait for the alchemy of her
next book.
-- The Plain Dealer
. . . "[M]oments
of personal anguish are at the heart" of this novel, and they add
up to a complex and convincing portrait of a young woman coming to
grips with change."
–
Jon Volkmer, "Review of Only Great Changes" in Prairie Schooner # 60, 134-135.
In Meredith Sue Willis's Only
Great Changes, the familiar conventions of the novel of initiation
are made new by a convincing female protagonist and a narrative that
uses politics as the setting and vehicle of individual maturation.
Willis locates the experience of coming of age in the matrix of a
larger history, focusing 1960's young and political culture through
finely cut lenses of region, gender, and race.
-- Barbara Melosh in Radical History Review
Take a half dozen of the novelists who
routinely show up as repeaters on the best-seller lists, ask them
to put their united talents into one collaboration, and the chances
are they couldn't write a page which Meredith Sue Willis couldn't
do better. She would beat them with the acuteness of her eyes and
ears, her unfaltering way of bringing the fruits of her observation
alive on paper and her sure sense of where to look in the crannies
of human affairs for the materials of drama.
-- Leslie Hanscomb in New York Newsday
While visiting WV last week, I stopped in Taylor Books in Charleston and picked up Only Great Changes. Boy, I was glad I did! Gobbled it up in two days, really relating to the '60s political/sexual scene. Very real characters, including the community folks, and surprising plot twists. I loved the "new name for God" speech from Dave and your tough-but-tender protagonist. Thanks for writing it.
-- Ed Davis
To order from Amazon.com,
click on Only Great Changes
To order by mail,
click on Order
Trespassers
Trespassers, published in in 1997 by Hamilton Stone Editions is the final book of the Blair Morgan trilogy. In this novel,Blair goes to New York CIty and involves herself in the anti-war movement.
"Luminous" and "altogether satisfying"
-- The Washington Times
With the same
attention to detail she brought to her character's small town childhood,
Willis brings the people, ambiance and events of the urban experience
out of the past and into a fresh light 30 years later. The silky locution
that springs from the Appalachian heritage of storytelling is fully
empowered here. Critics agree: Others have written of the same era,
but few write as well.
-- Claudia Ebeling in Bucknell World
Trespassers,
the final volume in Meredith Sue Willis's luminous Blair Morgan trilogy,
brings its West Virginia-born heroine to the brink of adulthood and
to the epicenter of her generations' rage. it is 1967, and 20-something
Blair is off to New York City to begin life on her own....The novel
is different in tone than the earlier books of the trilogy, in which
it was possible to detect the cadence of West Virginia (right down
to Blair being called Blair Ellen by those who knew her then). This book is blunter, with more dialogue. There's no mistaking New York.
-- Carol Herman in The Washington Times
Willis demolishes dreaded Appalachian female stereotypes....Blair Ellen is a particular girl, to be sure, from a particular region of the country, which itself represents the reforming spirit of the turbulent ‛60's, but her aspirations and experiences in social action speak to a collective, inclusive identity which makes her a representative of her generation, not her region.
— Gina Herring, Appalachian Journal, Volume 25, Number 4, Summer 1998.
To order from Amazon.com,
click on Trespassers
To order by mail,
click on Order
In
the Mountains of America
(Or,
vistit the publisher's
page at Mercury
House)

Meredith Sue Willis's
highly praised collection of short stories set in the Appalachian
region, has been in print since 1994. It has been used as a text in college
classrooms. To read a sample
story, click here .
Ms. Willis...provides a[n]...important
lesson on the nature and function of literature itself.
Thomas H. Cook ( New York Times Book Review)
Willis scouts her characters
like undiscovered paths.
The Village Voice
Love affairs and murder
fantasies are rarely spoken, but their presence infuses these smart
stories with tensions beyond the limits of plot.
Publisher's Weekly
Pure, twangy bewitching entertainment.
Chris Faatz, The Nation
Terrific stories. Rueful, humorous,
close to the bone. You cannot help but like and feel for Willis's
characters. In these stories you hear the pure mental clarity and
honesty of distilled experiences, and a life-long dedication to craft.
-- Phillip Lopate
Rich with the traditions of Appalachia
and even richer with the wise intelligence of its author...Willis
explores her characters' bonds with family, home place, landscape,
God, and nation, noting the strength of such bonds and the individual
accommodations they so often demand. Willis defines the boundaries
between mountain hollows and towns, between rural regions and urban
ones, and she uses those boundaries to limn the spiritual reach of
her characters....The characterizations are detailed; the dialogue
is spry; the prose sings.
Alyson
Hagy, "In the Mountains of America,"Appalachian Journal (Vol. 22, Number 1)
....That, finally, is what creates the
true power of narrative in Meredith Sue Willis' or any true artist's
work: the ability to give the reader or the listener moments of real
life, but in so doing to capture the mystery, the translucence which
makes art transcend life.
Jack L. Wills, "The Story's the Thing: The Power of Narrative in In the Mountains of America," The Iron Mountain Review (Vol. XII)
...Meredith Sue Willis's
In the Mountains of America ...will give you family values in their
unvarnished state....
– Art Winslow, The Nation
....Willis' writing– like
the quilts described in the closing story "Family Knots"– is exquisitely
rendered with multiple textures and complex designs.
– Feminist Bookstore News
In the Mountains of America
is a beautifully-written, tender and clear-eyed collection of short
stories set in Appalachia in which the reader is invited to shed big
city ways, and settle back--way back like the country people who inhabit
these mountain hollows and tales and who enjoy a good story themselves--and
to "just listen. Listen." Meredith Sue Willis's characters are worth
listening to. Distinctive, quick-witted, and touching, they, like
all of us, are searching to make sense of lives bounded by family,
community, geography and social class.
Willis creates dialogue you can hear,
details you can see. In "The Little Harlots," Roy Critchfield, a ninth-grader,
struggles to reconcile "the raw burden of his body" with his burgeoning
desires and his father's strict religious views. "I don't chew my
cud twice," his father snaps at Roy after his mother leaves home and
refuses his father's angry demand to return. In "The Birds That Stay"
the meaning of a young woman's death is examined through the four
voices of her daughter, grandmother, father, and mother. Jody Otis,
the dead woman's father, mulls violence. He sits in the kitchen glaring
at the passing thick-soled shoes of his daughter's "pit viper" husband,
Buddy, the man he blames for her death, while Ellen Morgan Otis, the
dead woman's mother, wants only "to feel love for all these fine pople
here today grieving with us," understanding by the story's end that
no matter how strong one's desire to affix cause and blame to life's
tragedies, we dwell somewhere between darkness and beauty, in an "unknown"
middle.
This understanding permeates each of
these twelve stories. In the luminous "Family Knots," we follow Narcissa
Foy, a patchwork quilter, from childhood into middle age as she creates
complex quilting patterns that parallel the unexpected complexities
of her own quiet mountain life. As a child, Narcissa has always liked
"the crazy quilts best . . . following trails of color wherever they
led and then later discover[ing] shapes that contained [her] discovery."
Narcissa bears five children, the next-to-last a difficult labor.
Her breasts become inflamed and she dreams of a quilt "the color of
her struggle to nourish this baby," a quilt with colors that "trickle
and form paths like veins, twisting, weaaving, plaiding, bursting
open like fireworks or zinnias unfurled"--a pattern called Family
Knots. Its creation ushers in a period of Narcissa's limited recognition
as an artist by city collectors. When Narcissa's college-educated
daughter, Lou, implores her to move to the city and study art--"It
will smother your talent, never leaving here," insisted Lou--Narcissa
wonders "if she had been smothered, and allowed it was possible that
something had been, but something else had been made strong." Her
destiny has been more than quilts. It has also been raising a family,
stitching together "the pattern of people"--and she, Narcissa, "was
in the pattern."
Some of the stories in In the Mountains
of America are long, some short, some dense, others more like yarns.
But all illuminate a kind of double consciousness, the fact that we
know the world by the stories we tell and we know ourselves through
the creation of these narratives. Willis herself is attracted to tales
that reveal how an event, or landscape viewed from one vantage point
(the New York City skyline, the lights, the war in Vietnam, in "Evenings
with Dotson," a wonderful tale of high school romance revisited) can
be perceived as the opposite from another's point of view--and even
from one's own point of view in another context. With her ancestral
roots in Appalachia and a present-day family life in New York and
New Jersey, Meredith Sue Willis brings a surprisingly convincing optimism
and far-reaching embrace of cultural differences to her readers.
Carole Rosenthal
Quilt Pieces
With Jane WIlson Joyce
Oradell
at Sea
(Visit the publisher's page at WVU Press)

To
read Chapter 3 of Oradell,
click on Big
City Lit
To read Chapter 9 of Oradell,
click on Big
City Lit
'Zank heaven for little
girls.' Not since Carson McCullers has anyone given us a Southern
bell-ringer as scabbed and admirable as this motherless widow from
Shacky Hill.
—Maureen
Holm, Big City Lit
Oradell Greengold is the
brassy narrator of Meredith Sue Willis' Oradell at Sea (Vandalia
Press, $22.50). She spends her days and her deceased husband's fortune
cruising on first-class luxury liners where young Greek deckhands
wait on her hand and foot-rub.
While
aboard the Golden Argonaut from Acapulco to San Juan, Oradell describes
her gritty Appalachian upbringing in a West Virginia coal-mining town.
Her first husband, a passionate union organizer, was the love of her
life. Her next husband showed her the seedy side of Las Vegas. In
New York she got lucky with her third and last husband, whom she met
while waiting on tables in a Greek restaurant.
In
between reminiscences, Oradell befriends a jaded young California
girl and spends more time with the Greek staff than with the other
ship passengers. Oradell is a modern-day Mae West who unapologetically
enjoys her wealth and its privileges, which includes boozing it up
with the help. She never turns sloppy and sentimental, even when faced
with a potentially life-threatening illness. Willis, a native of West
Virginia, is the author of 10 books.
--
Hal Jacobs, Atlanta Journal-Constitution, and
Southern
Currents: New Fiction by Regional Authors
For the
whole review, click here.
Meredith
Sue Willis moved away from West Virginia a long time ago, but like
the protagonist of her newest novel Oradell at Sea, she never
really left the mountains. Willis is a prolific writer. Her previous
books include several novels, children's books, a collection of short
stories, and three nonfiction books about the craft of writing. One
of these, Personal Fiction Writing, is a wonderful resource
for any writing coach, and I return to it again and again when I work
with young writers. Some of my favorite exercises in the book have
to do with character development.
According
to Willis, the character of Oradell Greengold grew from a casual meeting
with a drunk old lady, someone with whom she happened to share a dinner
table years ago. In the novel, Willis has done what she recommends
to beginning writers– allowed a brief encounter to blossom into a
whole life history. The old lady's life sings out in flashbacks and
memories as her favorite cruise ship, The Golden Argonaut, makes its way through the Panama Canal toward Puerto Rico.
For
Oradell, old age is one long cruise, but neither gin nor travel can
carry her away from her past. One of Willis's great gifts as a writer
is to get out of the way when a character becomes unruly, and Oradell
is one of the most unruly characters you'll ever meet. She embodies
a popular fantasy: a rich man has died and left her a windfall, and
she also has the potential to be a nightmare. She's loud, she's unabashedly
crude, and she has a lot of money. For those of us who are sensitive
to Beverly Hillbillies stereotypes, Willis is definitely walking a
tightrope with this character.
But
despite her drawbacks, or maybe because of them, Oradell is an engaging,
endearing protagonist. She may be in a permanent drunken haze, but
she hasn't forgotten where she came from: the coal mining town in
West Virginia where her grandfather died in a mine explosion and where
she met her beloved Mike Brown, the first of her husbands, whose union
organizer soul lives on in Oradell. And if Oradell Greengold doesn't
make you laugh out loud at least a few times– well, you should seek
professional help.
For
this reader, however, both the plot and the setting of the book were
a bit cramped, compared to the big, bold character of Oradell. More
than once I found myself wishing the ship would run aground or stop
in some port where the old lady would be obliged to spill her drink,
abandon her memories, and get into some real trouble.
– Colleen Anderson
WMKY
Radio January 17, 2003
To download this radio review, go to WMKY and search for "Oradell."
There
have been many acts in the life of Oradell Greengold, a boozy widow
whose life has become one long vacation on luxury cruise liners. The
heroine of Oradell at Sea (WVU Press), a new novel by Meredith Sue
Willis...crows, "It's great being rich; you can do any damn thing
you please." And she does.
Told in the forthright West Virginia
cadence that marks Willis's literary fiction, the novel strips away
the layers of experience that Oradell has accumulated as she teams
up with a sullen teen and foments rebellon by the ship's staff. Her
unpropitious beginnings as an abandoned child in an Apalachian coal
mining town chug insider her like a ship's engine, informing her aging
heart.
--
Claudia Ebeling in Bucknell
World
This
short, engagingly written novel is the story of a woman's journey
of the self from a spunky but passive victim to a person capable of
moral action on behalf of another. Willis' style is a clean, unpretentious
realism with lyrical moments that bring depth and believability to
her character.
--
Phyllis Ehrenfeld in The
Ethical Culture Review of Books
For the
whole review, click here.
The most extraordinary
people are the seemingly ordinary ones. Simultaneously hilarious and
heartbreaking, Oradell is one of the best, most fully drawn characters
you'll every have the privilege of meeting. Silas House (author of Clay's Quilt)
Oradell is a feisty, funny
outspoken woman, engaging and indomitable. Bon voyage!
– Edith Konecky (author of Allegra Maud Goldman)
South Orange novelist Meredith Sue Willis'
most recent offering, Oradell at Sea (Vandalia Press, 2002),
is the story of a West Virginia coal miner's daughter in her old age,
wealthy through marriage, widowed, spending big bucks on herself as
a gin-guzzling permanent residence of a cruise ship in tropical waters.
What a way to go! In spite of these limiting materials, it is a strong,
solidly structured novel. The story line toys with the reader in giving
almost no hint of the heights of the victories of the human spirit
the old girl will achieved. Oradell at Sea, a powerful, deeply
moving classic, deserves reprints, prizes and awards, and a stage
or film adaptation by someone not Hollywood, someone British, French
or Italian who would give the lead to Maggie Smith (Breakfast with
Mussolini) if she can manage a coal town accent
--William
Robinson in The Tryout
You meet Oradell aboard
her favorite cruise ship, the Golden Argonaut, but you learn
how her character was formed by flashbacks that punctuate the story.
She doesn't claim to be refined, addicted as she is to bright red
and splashy jewelry. Oradell is herself, forged from a life of poverty
where happy times were too infrequent and a bold front carried her
along.
--
Evelyn Ryan in The Dominion Post
For
the whole review, click here.
Dwight's
House and Other Stories

The
title novella is a marvel that successfully experiments with point
of view, rapidly gyrating between the four main characters in the
piece–Dwight, Fern, Susan, and Elaine. Willis pulls off this exhilarating As I Lay Dying technique quite nicely, managing to probe the inner
states of each character, as well as allowing the innate conflict
to surface in an almost organic fashion. Within a rustic Massachusetts
setting, Willis introduces us to Dwight, an abusive and malicious
man from West Virginia who envies the sleek modern cabin of the
Jewish couple by the lake; his withdrawn wife Susan; Fern, who hates
her stepfather; and Elaine, the neighbor who has retreated to her
lakeside cabin to come to terms with the lump in her breast. In
superbly piercing, almost brittle prose, the story ultimately manages
to portray class conflict, the roots of anti-Semitism, the consequences
of adultery, as well as render a family's free fall.
In Dwight's House and
Other Stories, Meredith Sue Willis's eclecticism and layered prose
releases us from the moorings of "regional fiction." This is a significant
book from an accomplished author much deserving of a wider readership.
-- Nathan
Leslie, Main Street Rag, Volume 9, Number 1, Spring 2005
(To read the whole review, click here and scroll down).
The
occupants of two summer lake houses in western Massachusetts spend
a couple of stormy winter days coping with their own problems
and getting involved with each other's. Privileged Elaine Roth,
a housewife whose children have grown, has fled to her summer
home to escape the twin revelations that her husband has been
committing adultery and that she has a lump in her breast.
Next
door, in a rundown fishing cottage, jobless Dwight and Susan huddle
in blankets trying to avoid the cold. Their two young sons and
Susan's adolescent daughter Fern haven't gone to school in weeks,
since Dwight's truck stopped functioning. When Elaine impulsively
invites Dwight's family over for brunch, the situation turns explosive.
Willis breaks
out of the narrow borders of the short story by switching among
the points of view of Dwight, Elaine, frazzled Susan, and obdurate
Fern. She develops the four corners of this stubborn rectangle
with equal care. Although Dwight is the obvious candidate for
the villain of the piece, even he is not a totally unsympathetic
character. Willis nicely balances empathy with implicitly moral
judgment....Willis regards
all of her characters with unsentimental compassion. Her fiction
leads us by the hand into dark places, and then leaves us on our
own to find our way out.
–
Margaret Quamme, "Stories in the Dark," American
Book Review,
March-April 2005, p. 8. Click here to read the whole review.
This collection includes
the 109-page novella, Dwight's House, and four short stories, ranging
in length from seven to twenty-four pages. Most are set on lakes
surrounded by homes which could be located in Willis's native West
Virginia or the Northeast where she has now lived most of her adult
life. Willis allays offers the reader a good old-fashioned straight-forward
tale, but her fascinating and sometimes quirky characters are what
distinguish her as a story-teller.
-- Appalachian
Heritage, Volume 33, Number 1, Winter 2005
Written
by a prize-winning member of the Appalachian Renaissance in literature, Dwight's House & Other Stories is an anthology of short stories
by critically acclaimed author Meredith Sue Willis. Focusing on
believeable characters put in paralyzing dilemmas, these tales examine
the troubling paradoxes of the human condition with sympathy and
synchronicity. The stories presented are "Dwight's House", "Attack",
"Tiny Gorillas", "Another Perversion", and "Tales of the Abstract
Expressionists". Highly recommended.
-- Midwest
Book Review
Meredith Sue
Willis...has delivered a new collection of short fiction, Dwight's
House and Other Stories (Hamilton Stone Editions). Known for
pitch-perfect rendering of her native Appalachia, she is in top
voice, pitting the familiar against other American subcultures and
threats ranging from surreal air attacks to the specter of death
in old age. She creates messy lives hurtling toward even worse complications,
but they always release a slyly reassuring spirit, as when a scandal-ridden
narrator concludes, "I don't know. I'm worn down by loneliness and
fear. I'm afraid I may be on the verge of trying altruism, the last,
the greatest, perversion."
--
Claudia Ebeling, "For
a Long Winter's Read" (See page 16)
This author
has the rare ability to get under the skin of wildly different characters
to such an effect that the reader is not only entranced but emerges
with a deeper understanding of these poor mortals, of which we are
one. Beautifully written, powerfully effective.
-- Rebecca Kavaler
The title story
in Meredith Sue Willis' second collection is set during a year of
explosions: the first space shuttle; the nuclear power plant at
Chernobyl; the rundown little cottage at the lake. In this new collection
of stories and a novella set at summer houses and around lakes,
Meredith Sue Willis explores the places where we are most exposed.
New
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The
City Built of Starships

...A gripping tale. I
love the way the ethical imagination is torqued into a surprising,
nightmarish narrative. Some of the characters are astounding– and
there is the Death yaeger and his dive. It's a wonderful, dark,
hope-giving book.
–Marc Kaminsky, author of The Road from Hiroshima and Daily Bread
The novel stands out
because it's a story of a failed colonisation that ends with only
a sliver of hope. There are no magic fixes, no lost technologies....
Farah Mendlesohn, The
Inter-Galactic Playground
.... the versatile Meredith
Sue Willis...has returned to writing for young adults. Her science
fiction tale, The City Built of Starships (Montemayor Press),
stars Espera, a girl caught up in the volatile colonization of a
far planet.
-- Claudia Ebeling, Bucknell
World, September 2005
The novel opens in a desert
some undisclosed distance from the City Built of Starships. Espera,
whom the narrative initially positions as its adolescent heroine,
has been raiseed in this desert, in isolation from other humans,
by her mother, Soledad, a mystic and healther....Occasionally Espera's
father, Leon, visits. And then Soledad and Leon argue. Leon wishes
to make "the lavender world" – also known as "the second worlds"
– the possession of humans; Soledad insists that humans are guests
on the world and that it is not theirs to possess. Espera is not
exactrly torn between yere parents: Since Soledad has raised her,
she shares her mother's ethics and values. But her father's visits
bring exciteemnt into a life that revolves around her mother's meditations....
L. Timmel Duchamp, The
New York Review of Science Fiction .
June
2005, Number 202, Vol. 17, No. 10
After a cloistered, puritanical
childhood, Espera ventures into a fallen world on a quest to redeem–
or perhaps destroy– it....
-- Kirkus Discoveries
....A surprising flavor:
it uses science fiction tropes and concepts convincingly, and yet
it feels all the way through like fantasy! It's partly the dragonlike
yaegers and the Far-Seers, familiar fantasy types, and the magical-seeming
properties of the glowworm. But the binary system and the class
theme of hands vs. officers are solidly science fiction, ditto people
who deal with their lives by staying drugged all the time...plausible
explanations for phenomena like Big Cook and the morbid flatulance
and why the desert ghouls can live on so few calories, so it's hard
to pin down exactly why all the characters feel to me as if they're
in a fantasy.
But the cover art--starships viewed
through a lavender mist--bears out the exact genre-spanning effect
I'm talking about....I enjoyed it and enjoyed being puzzled by it.
–
Judith Moffett, author of eleven books in five genres, including
science fiction. She has won both a John W. Campbell Award for
Best New Writer and a Theodore Sturgeon Memorial award for the best
science fiction story of the year.
Readers
will love Espera. Hero. Adventurer. Readers will love the wise sayings
and the wise women who say them. Here's a whole world that needs
changing and this girl has a part in it. Meredith Sue Willis knows
how to be wise. She knows how to write a rousing adventure story.
– Carol Emshwiller, Nebula award winner and author of Carmen
Dog
.... I'm a jaded old reader of SF and it held my attention - good planet-building, a nice premise about the officers versus the hands as that evolves over time, and thank heavens someone considers that eating alien food might not be a good idea! So many books people just eat it without much thought.
I found Espera to be a strong heroine, and found the tension between her parents particularly apt for young readers who are often torn between divorced parents. They would see themselves in her.
The plot was solid and in the midst of the danger and sometimes terror humor found a place - the eccentricities of people and especially the Scion, who moves from abusive power to helplessness and then into a sort of redemption.
– Valerie Nieman, author of Neena Gathering
Novels for Children
Billie of Fish House Lane

Thoughtful books are not always entertaining, and entertaining books are not always thoughtful, but this book merges both into a joyful look at family, friendship, and race. Eleven-year-old Billy Lee and her family live in a rickety house on the edge of a marsh, amid freeway overpasses, power lines, and old warehouses. Billy's father, an artist who suffers from a debilitating disease, is African American. Her mother, who makes African robes and bakes sunflower seed cookies, is white. Billy has never met any of her mother's family, until one day when a cousin invites her for a visit. The conflicting pulls that Billy feels between loyalty to her best friend, Eutreece, and a desire to befriend her "new" white cousin, Celia, set Billy pondering questions of race in a unique and concrete way that will inspire young readers to ask their own questions. If she is half-white and half-black, Billy wonders, what does her white side feel like? Does it feel different from her black side? What an interesting way to frame this issue—placing the essence of racial conflict inside a single character allows Willis to explore these questions in a nuanced, non-pedantic way. Billy's voice is as fresh and interesting as her story. Children of all races will find both humor and understanding—as well as plenty to ponder —in Billy's open, enthusiastic approach to life. This book would be an excellent choice for book clubs and classroom discussions.
-- Barbara Carroll Roberts, The CriticsChildren's Literature
Biracial Billie Lee leads a harmonious life in a funky
New Jersey neighborhood
until her white cousin comes
to town. There’s that, and a
mysterious neighbor alerts her
inner detective. Billie Lee’s an
appealing problem solver.
– Claudia Ebeling, Bucknell World Vol. 34 No. 4
...I was surprised by many aspects of this contemporary children's book. Beyond the obvious (knowing references to illicit drug use), it is far grittier -- and far more richly imagined -- than most of the kids'-lit I recall from my own childhood. (The protagonist lives under a highway near a disused canal, for instance.) At times, as in a dreamlike episode during which two pre-teens very calmly take a car from the garage of a parent and drive around the neighborhood at night, BILLIE OF FISHHOUSE LANE transcends the genre altogether, bringing to mind great books about children for adults such as THIS BOY'S LIFE by Tobias Wolf and Jamaica Kincaid's ANNIE JOHN. Recommended.
-- Adam Sexton, author of Master Class in Fiction Writing: Techniques from Austen, Hemingway, and Other Greats
Smart, sassy, and eleven years old, Billie Lee lives with her eccentric family in a home on Fish House Lane. Her dad is an African American artist who carves tree trunks into sculptures; her mom, who's white, sews African-style robes that she sells at the Boutique Afrique. Billie loves her parents, her two younger brothers, and her know-it-all best friend, Eutreece, and she feels completely at home in her swampy neighborhood under an elevated highway in New Jersey.
Then Billie's white cousin, Celia, shows up and changes everything. A sleepover at Celia's fancy suburban home releases a flood of questions. How can Billie be Black but also White? How can she convince Eutreece that Billie hasn't betrayed their friendship? And, when these kids get thrown together at Fish House Lane's summer barbecue, how can Billie and her friends accept one another long enough to solve the mystery of a neighbor named Neighbor, who has hidden something strange—and maybe dangerous—down by the canal?
The answers to these questions challenge Billie far more than she ever thought possible.
-- Publisher, Montemayor Press
The
Secret Super Powers of Marco

(Or
visit the publisher's page at Montemayor
Press)
Marco
and Tyrone live in a poor urban neighborhood , with deserted buildings,
drug dealers, and gangs. Marco navigates his way through with help
from his mother, his uncle, and a growing belief in himself. He
passes on that sense of confidence and self-worth to Tyrone through
their strong friendship. The characters are strong and likable;
the setting is believable; and the story is both exciting and thoughtful.
Willis gives her readers a sense that each person has "super powers,"
but she never resorts to simplistic solutions for complex problems.
-- The Horn Book
In
this appealing novel, narrated by the title character, we're never
quite sure where Marco's superpowers end and his imagination begins.
Can Marco fly?...Can he see the future? Unfortunately, what he can't
do is avoid Tyrone, the bully at his new school....Marco's earnest
voice convinces us that it doesn't matter if his superpowers are
real or not–it's really the powers of friendship, trust, and imagination
that count.
-- ALA Booklist.
A promising debut with
this tale of a clever young peacemaker in a rough neighborhood.
-- Kirkus Reviews
If
you haven't gotten your hands on Meredith Sue Willis' "Marco" books(for kids) DO! I bought The Secret Super Powers of Marco (and its
sequel) to give to my 9 year old grand-daughter and, as fate would
have it, I neglected to send them to her. I just found them in my
"gift shelf" and decided to read The Secret Super Powers. It's swell!
Marco, a street-smart kid of 9, knows how to handle himself in a
tough world and not only keeps himself safe in his bad-ass neighborhood
but sees a decent future for himself and his friends and family.
Can't wait to read the sequel!
– Rosalie Sussman
A fast moving story.
— Children's Book Review Service, Inc.
Marco's
Monster

Marco's
Monster has been Included in a list of"
100 of the Decade's Best Multicultural Read-Alouds"
at the Reading
is Fundamental site.
In
a sequel to The Secret Super Powers of Marco, Marco and his best
friend Tyrone participate in the annual fourth-grade class play,
this year called "Cool Girl and the Main Monster." Marco is the
narrator and keeps the play on track, just as he keeps life on track
for his little sister Ritzi and for Tyrone. Tyrone, the "Main Monster,"
works to stay in the play in spite of his penchant for getting into
fights with classmates. There is a great deal of action in this
short novel, and several themes that Willis neatly pulls together
in the conclusion. Tyrone sometimes feels as if the Monster inside
him is taking over, but with Marco's help, Tyrone takes the first
steps toward managing his anger. Both boys must deal with the realities
of living in a run-down urban neighborhood, in which empty buildings
are sites for drug deals and the local park holds more dangers than
pleasures. Ebullient characters, a fast-moving plot, and a realistic
setting all contribute to Willis's lively, sometimes poignant story.
-- The Horn Book
Fourth
grader Marco wants the part of the Main Monster in the play his
class writes. But his teacher, Mr. Marshan, assigns him the role
of Narrator and gives Tyrone, Marco's best friend, the coveted part.
Marco, so jealous he feels like a monster is inside him, provokes
a fight with Tyrone. When Tyrone accepts the blame for the fight,
Marco is caught in a string of problems that the two boys resolve
together. Quirky and funny, with unforgettable characters– like
little sister Ritzi, a prodigy who plays operating room on her Barbies–
this short, deftly plotted novel will hold everyone's interest.
-- Instructor Magazine
The
two friends from The Secret Super Powers of Marco are back.
Their fourth grade class is putting on a play....Marco is sure he
will be the Main Monster but the role goes to Tyrone and Marco is
cast as the narrator. The two boys and Marco's little sister, Ritzi,
are engaging characters set in a sometimes unpleasant inner-city
reality. They face a variety of unsavory people, including street
thugs, Crazy Wee-wee (a local homeless person), and a substitute
teacher who accuses Ritzi of killing the class gerbil. Throughout
the traumas, the play progresses. The performance is a definite
hit, complete with the appearance of Tyrone's mother, who never
comes to school....This quick, easy read is full of humor and angst,
and features a strong single-parent family, a theater experience,
and lots of adventure.
-- School Library Journal
To order online,
click Marco's
Monster.
To order by mail,
click on order.
Books about Writing and Teaching
Personal
Fiction Writing

Publishing HIstory: Personal
Fiction Writing was first published in 1984,
and has been in print constantly since that time.
In the year 2000, it received an updated and expanded edition.
I have read Personal Fiction Writing with both pleasure and enthusiasm....This book has something for
teachers at all levels....It contains many useful suggestions for
helping students...and it's easy to use.
-- Editorial Board, National Council of Teachers of English
A terrific resource for the classroom
teacher as well as the novice writer.
-- Harvard Educational Review
When I was a senior in high school I decided to take correspondence courses instead of attending a regular school. This was the text used for my creative writing class. I absolutely loved it and have been trying to snag a copy of it ever since. This book is GREAT at giving you ideas for how to make up your own work of fiction even if you never tried before. I would highly recommend it to anyone who is interested in seeing where their imagination can take them.
-- Marsha A. Kyrmse
Writing samples, ideas for invention, describing people, places, action, developing structure, revision - all ages and skill levels.
-- Shevi Arnold
"Best How-To Books for Writing Fiction"
To order from the publisher,
click on Teachers
& Writers.
To order from Amazon.com, click on Personal
Fiction Writing .
To order by mail, click on order.
Blazing
Pencils
I recommend it highly to teachers
who write, writers who teach, and the students who keep all the
others honest.
-- David Berry, Merlyn's Pen
Blazing Pencils will help shape
and channel all that practice so ardently advocated to its most
productive and rewarding end results.
-- Wisconsin Bookwatch
...There's a great overview for lower level writers about the five paragraph essay. If your students are like mine, you'll use M. S. Willis's lesson every term. Some of the better students will get the idea of a thesis and topic sentences just from the one lesson. Others will need a blazing pencil inserted under the fingernails....
-- "Marcus Aurelius"
To order from the publisher,
click on Teachers
& Writers.
To order from Amazon.com, click on Blazing
Pencils
To order by mail, click on order.
Deep Revision
Hundreds of ideas of how to enjoy the work of making writing fresher, richer, and more authentic.
-- Kliatt
To
order from the publisher, click on Teachers
& Writers
To order by mail, click on order.
For
information on obtaining the out-of-print editions
illustrated below,
click here or on the book
cover:



Featured Book
If you order this month's featured book by direct mail, you may take 10% off your total order, excluding shipping & handling and tax. Order from the Order-by-Mail page.
Billie of Fish House Lane

Thoughtful books are not always entertaining, and entertaining books are not always thoughtful, but this book merges both into a joyful look at family, friendship, and race. ...This book would be an excellent choice for book clubs and classroom discussions.
-- Barbara Carroll Roberts, The CriticsChildren's Literature
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